Blood Trails – Ep. 9 of The Marquis

Forced by the dark and dangerous Marquis into an engagement that serves his purposes of revenge, young artist Saphira finds herself at a crossroads of emotions – dread and attraction, which she blames on the Marquis’ mysterious hypnotic powers. She yet decided to try and escape him. She left with Inspector Jeremy Simmons, but the Marquis’ head of security, Zed, intercepted them. Behind Zed Saphira saw something burning, and when she identified what it was despair packed her.

***

Jeremy throws open the door on his side, pulls out his gun and points it at Zed over the upper frame.

“Stop right there,” he calls out, and Zed does as told. Yet nothing in the security guard’s face changes. His eyes remain steely, as if Jeremy’s action doesn’t catch him off guard, but he chooses not to react. I know how fast and deadly Zed can be, I’ve seen him on the night the Marquis killed Pukov. I know that, if he decides to, he’s quicker with that gun than Jeremy can imagine. But right now nothing of all this matters.

I throw my door open, scramble out of the car and start running, stumbling and falling and getting back up, losing my shoes and calling out Vivien’s name. Her house is burning a few streets up, and the smoke grows thicker as I approach. People run in all directions, yelling and coughing in scarves and handkerchiefs they hold at their mouths. I’m dirty and coughing by the time I reach the corner closest to Vivien’s house, where I’m forced to stop.

Through thick smoke I see fire fighters in red-and-white jackets and helmets hold bulky hoses, calling out urgent commands at each other. The tension sends a clear message – they’re doing everything they can, but they’re not optimistic. Flames surge with a roar from the window on the first floor where I know Vivien’s room is, and a woman yells somewhere close.

Even though I can’t see her right, by some mysterious mechanism in my brain I recognize her as Vivien’s Mum, and feel my way to her, keeping contact with a wall through the thickening smoke. The woman is being held back by two people, one a fire fighter by the jacket and helmet, the other civilian. I wrap my arms around her waist, making her turn around and burst into even more violent crying. Noticing she knows and accepts me, the fire fighter and the other man let go.

“Saphira!” Her arms now go around my neck and squeeze me so hard it adds to the clogging of the smoke. Despair and adrenaline feed her strength, and she doesn’t even attempt to control it until she decides she needs to face me. By what I can guess through my teary eyes her own are red, her dark hair messy like a witch’s and her voice that of a woman gone mad with pain.

“That monster –” she coughs – “He wanted to destroy all proof and he destroyed my girl in stride. He destroyed her, Saphira!”

It takes a few moments of her coughing and hysterically repeating, “He destroyed her,” until I gather myself enough to make sense of what she’s saying.

“Who? Who destroyed her, what are you talking about?”

“She wanted to unmask him, and he disposed of her. I warned her to stop the chase, I knew he was dangerous. I’ve been married to a monster like him for decades.”

That Mrs Grant would think of her husband and Vivien’s father in those terms is completely new to me, and I’m taken aback. The memory of Vivien opening her arms to stop me as I hurried to the stairs that led to the dungeons last night flashes in my mind as my lungs constrict and spit out the soot in violent coughs of my own. “Saph, we need to talk.”

“Who are you talking about, Mrs Grant?” I manage in a bruised voice.

Mrs Grant’s lips move, but a burst of flames from the house covers the sound. I wince and stagger, yet find balance again and repeat the, “who,” which for some reason Mrs Grant takes as a refusal to believe the name from my part rather than a genuine question.

“He has you mesmerized,” she admonishes. “He has you all fooled. But her he couldn’t charm, she discovered his true rot.”

“Everyone clear the street,” a fire-fighter calls, running toward us with arms spread wide as if to protect us.

“Run!” another one calls in the distance just before a huge explosion deafens me and sends my head spinning. I can’t hear anything but the buzz in my ears, and see people moving in slow motion as Mrs Grant pulls me to the ground and glass shards fly over us.

***

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Enjoyed this? Check out the prequel, Saphira, in the Christmas Story Book for Adults, available here. Stay tuned for a further episode on Friday and, until then, enjoy all the quizzes, stories and goodies available here especially for you.

READ THE STORY FROM THE BEGINNING: PREQUEL – Saphira in the Christmas Story Book for Adults.

Stay tuned for a nee chapter of The Executioner Part I on Thursday.